When it comes to traveling as a nature photographer, one trouble spot comes up: charging. I recently fell down the rabbit hole of portable power stations, and let me share with you the difference a good power station makes for the road-tripping photographer.

I was recently approached by our team to try out the new Kase KW Revolution magnetic filters. If you know my style of landscape photography, I love to use lens filters as my secret weapon to make my photos pop. I put the kit to the test on a rainbow of subjects in all kinds of light to see how they would compare to my classic style filters.

Do you all remember the when Sigma released the “Bigma” in 2001? The Bigma, or Sigma 50-500mm f/4-6.3 EX DG HSM, dominated the amateur and semi-professional market. 22 years later, in a time of mirrorless cameras and high-end optics, the next Bigma is here. Welcome to the new Sigma 60-600mm for Sony E. Is it worth your money? Read on to find out.

Tamron has updated their ever-popular 28-75mm lens with a new second-generation version that packs a punch for Sony E mount users. Read on to see how it performed in the field when challenged by a variety of subjects and lighting conditions.

Topaz Labs, the company behind the wildly popular DeNoise AI, Sharpen AI, and Gigapixel AI, has made a huge change. These apps, once a triad of separate programs to fix your photographs, are now combined into one beefy app that is here to save the day. Meet Topaz Photo AI, your new best post-processing friend. Let me show you how I used it to save my low-light wildlife photographs.

Another worthy contender enters the ring. Tamron has just released the 50-400mm f/4.5-6.3 Di III VC VXD. With this lens in my bag, I am freshly back from a whirlwind trip to Colorado, Utah, Arizona, and New Mexico. Check out what I saw and my thoughts on how the lens performed.

In working for Fstoppers, we often get the chance to test and review new gear. When an assignment to try the new Sigma 150-600mm popped up, my ears instantly perked up. Superzooms are my secret weapon, and I am excited to share the results of my testing with you.

As a professional nature photographer, Topaz DeNoise is an essential part of my workflow. I had heard about it for years, but since I owned Lightroom and Photoshop, I didn’t add Topaz into my software library until last spring. I was late to the party, but at least I can save you the trouble. Just DeNoise alone is worth every penny. Come see why.

While most photographers use a drone to create aerial images, sometimes, that isn’t enough. Sometimes, you want to soar like an eagle, going 50 mph over the sheer face of a mountaintop as you photograph. If that sounds like you, then let me share with you the story of Bernard Chen, paraglider and photographer extraordinaire.

As a working professional, I rely on my gear and need it to perform in all conditions. Recently, I was given the opportunity to field-test the new Tamron 150-500mm f/5-6.7 Di III VXD. It may just surprise you, as it did me.

Have you ever wondered about the secrets of camera trap wildlife photography? Find out how one photographer captures striking images of big cats and more in this interview with expert Robert Yone.

Are dull, flat skies ruining your photographs? Learn how to capture real clouds and dramatic skies in camera, no sky replacement or Photoshop needed.